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The final template creates a project using a Pivot control. This is another Metro control type, and in many ways looks and feels similar to the Panorama, offering items grouped together under a series of headings. In practice, the main difference between these two controls is down to presentation. It is also more common to find applications that dynamically add headings based on user configuration (for example, adding multiple cities to a weather forecasting application or different categories for a news reporting app). The headings within a Pivot control can be seen as analogous to tabs in a tab control in a desktop user interface. This template is once again less likely to be used for game projects.

Getting comfortable with the Visual Studio IDE can take a little time when working with Silverlight projects. The main building blocks of the projects are the pages, which are represented by .xaml files. Generally when working on pages, the IDE will be run using the split view, with the actual XAML code on one side of the screen and a preview of the page on the other. As changes are made to the XAML, they are immediately reflected in the preview, allowing the effect of code changes to be quickly and easily understood. New in Visual Studio 2010 is the capability to actually interact with this preview. In Visual Studio 2008, the preview was just that: a read-only display of how the hand-crafted XAML would appear when the application was launched. Visual Studio 2010 turns the preview into a visual designer, just like the form designer that is available when developing WinForms applications. Using the preview to visually design pages can be extremely useful and a great time-saving device. Controls can be visually added to and arranged within the preview, and the corresponding XAML code updates to reflect the changes that have been made. Clicking a control within the preview not only visually selects it within the designer, but also scrolls to and highlights the corresponding control in the XAML pane. Using these two panes together provides a very rich and powerful user interface design experience once you ve got the hang of it!

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Until now, this discussion of EF has revolved around Object Services and LINQ to Entities; EF, however, offers another API to work with your data, the Entity Client Provider. The EntityClient is a standard ADO.NET data provider. With the EntityClient, you have a gateway to query against your EDM and your conceptual model. As an ADO.NET provider, the EntityClient (that is, System.Data.EntityClient) uses the well-known provider pattern enabling developers to work with common classes such as Connection, Command, DataReader, and so forth. The EntityClient is a powerful API because it is not data store specific. The EntityClient works in conjunction with SQLClient, and Microsoft has launched a partner program to enable additional vendors to develop data access clients to work with the EntityClient (http:// blogs.msdn.com/adonet/archive/2007/02/14/entity-client.aspx). What this means in simple terms is that in the near term, you will be able to have an EDM model that is database independent. You are probably wondering how this is possible. Well, as mentioned earlier, the EntityClient doesn t support LINQ it supports only entity-level queries written in ESQL. With this restriction, the design can be data provider independent because there is a common dialect being used to query against the EDM; thus, this dialect can be translated to the data provider class into T-SQL, psql, and so forth. Now, without LINQ, you lose the strongly typed queries that you have seen so far, but ESQL is a very feature rich language for queries.

Hardware-accelerated skeletal animations that blend with vertex animation types will need to have that blend performed in the vertex program as well This provides the added benefit of control over the order of blending, if you do not care for the order used by Ogre as described previously (specifically, vertex then skeletal) However, it also means more complex (and longer) GPU programs, as well as the fact that all animation techniques must be hardware accelerated if any of the blended techniques are hardware accelerated (in other words, you cannot blend, for example, software-based vertex animation with hardware-accelerated skeletal animation) Skeletal Animation Skeletal animation is typically a good candidate for GPU acceleration in a vertex program The performance increase over software skinning is substantial (especially for more than just a few skinned and animated objects in a scene) However, the gotchas must be considered carefully.

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